Jan 15 2010

Cape Jazz Tradition Continues

The rich tradition of Cape Jazz continues at the Rainbow Room Jazz Club. Last night I had the pleasure of listening to the Denay Willie Band. What was even more impressive was the showcasing of new Cape Town talent, as impressive young musicians aged 14-19 joined the band for various songs. The Rainbow Room Jazz Club is part of the Rainbow Experience, one of Cape Town’s newest cultural landmarks, based at Mandela-Rhodes Place in the Central City. A must for every jazz lover and supporter of the development of young Cape Town musicians! Well done to Alison McCutcheon and Frank Gormley for such a creative enterprise.

The Rainbow Experience at Mandela-Rhodes Place at 23 Church Street

The Rainbow Experience at Mandela-Rhodes Place at 23 Church Street

For more information about all the amazing creative industries and organisations in the Cape Town Central City, see Creative Cape Town


Jan 6 2010

Bright lights, dark alleys*

*Title inspired by a Songs of the City concert held at the Walt Disney Concert Hall in Los Angeles in January 2008

I’m kicking off 2010 with a list of my ten best songs that describe life in the city. Most lists of city songs contain songs with the name of a city in the title, such as London Calling by the Clash (or Streets of London by Ralph McTell), New York, New York by Frank Sinatra (or Liza Minnelli or Moby), and Sweet Home Chicago by Robert Johnson (or Eric Clapton or Peter Green). There are already many such lists. The best one I have come across is compiled by Eric Riback  (a monster list of over 500 city songs, containing gems such as Fort Lauderdale Chamber of Commerce by Elvis Presley, Born in East L.A.by Cheech and Chong, Hong Kong Book of Kung Fu by Cornershop, Jesus Just Left Chicago by ZZ Top and The Cockroach That Ate Cincinnati by Possum, although missing at least a hundred more, including Chicago/ We Can Change the World by Crosby, Stills and Nash, Fake Tales of San Francisco by the Arctic Monkeys, King of New York by the Fun Lovin’ Criminals, London Sux by the Rudimentals,  Johannesburg by the Julian Laxton Band and Cape Town by the Rockets).

However, I am more interested in songs, drawn from various music genres, which capture diverse aspects of city life: love, freedom, isolation, struggle, celebration, in other words, bright lights and dark alleys.

So here goes, in no particular order:

Summer in the City

The Lovin’ Spoonful

“Hot town, summer in the city, back of my neck getting dirty and gritty”

A personal favourite, I used to listen to McCully Workshop playing this at the Canterbury Inn at the Fairmead Hotel in Rondebosch, Cape Town, in the late ‘70s. Also reminiscent of sitting on the pavement outside a popular club called Scratch on warm summer nights during the early ‘80s.

Summer in the City was a hit for John Sebastian and the Lovin’ Spoonful in 1966. The Flying Pickets did a pretty good cover version, as did BB King, Quincy Jones, Joe Cocker and Joe Jackson.

Summer in the City - The Lovin' Spoonful

Summer in the City - The Lovin' Spoonful

Downtown

Petula Clark

“When you’re alone and life is making you lonely
You can always go – downtown”

A big hit for Petula Clark in 1964, Downtown featured a young Jimmy Page as a session guitarist! I remember travelling with my mother as a young boy in 1966 to hear her cousin Angus Kennedy, lead singer of the Belaires, belt out a version of Downtown at the Mazoe Hotel in Zimbabwe. The B-52s recorded a very different punk version of Downtown in 1978.

The term “downtown” originated in New York in the 1830s, where downtown referred to the original settlement at the southern tip below Wall Street and uptown to the expanding new city to the north. Since then, it has come to refer to the traditional urban core or historical central business district of (mainly) North American cities, often with pejorative connotations of urban decay, homelessness and poverty, and business and residential flight to the suburbs or edge cities.

Downtown - Petula Clark

Downtown - Petula Clark

The Message*

Grandmaster Flash and the Furious Five

“It’s like a jungle sometimes it makes me wonder
How I keep from going under”

Released as a single in 1982, The Message is often referred to as one of the greatest hip-hop records ever made. The song’s chorus of “Don’t push me ’cause I’m close to the edge/ I’m trying not to lose my head” has become one of the most well known choruses in rap music history and the signature synthesizer riff has been sampled many times since. The song speaks of the frustrations of young black people living in the ghettos. As a reviewer in Rolling Stone magazine said at the time: “This seven-minute single, the apotheosis of black rap music, is the most detailed and devastating report from underclass America since Bob Dylan decried the lonesome death of Hattie Carroll – or, perhaps more to the point, since Marvin Gaye took a long look around and wondered what was going on.”

The Message - Grandmaster Flash

The Message - Grandmaster Flash

*Thanks to Kimon de Greef for this entry

Ghost Town

The Specials

“This town, is coming like a ghost town
All the clubs have been closed down”

Ghost Town was written in 1981 as a protest against the policies of Thatcherism in Britain, particularly in terms of the impact on the youth of the cities in the British north and midlands. The Specials, a 2 Tone ska revival band, hailed from Coventry which was experiencing particularly high unemployment during this period. The Specials had been part of the Rock Against Racism movement in the UK and Jerry Dammers of The Specials would go on to write the anti-apartheid anthem Free Nelson Mandela a few years later.

Ghost Town - The Specials

Ghost Town - The Specials

Inner City Blues

Rodriguez

“Met a girl from Dearborn, early six o’clock this morn, a cold fact
Asked about her bag, suburbia’s such a drag, won’t go back”

Remember Rodriguez, the singer-songwriter from Detroit, USA, more popular in South Africa and Australia than in his own country? Remember Cold Fact, the album that launched a thousand joints?

As Georgie Hirezola sums it up in his blog:It’s one of the lost classics of the 60s, a psychedelic masterpiece drenched in colour and inspired by life, love, poverty, rebellion, and, of course, jumpers, coke, sweet mary jane… It’s crushingly good stuff, filled with tales of bad drugs, lost love, and itchy-footed songs about life in late 60s inner-city America”. And Inner City Blues has a nice dig at suburbia…

Cold Fact - Rodriguez

Cold Fact - Rodriguez

Downtown Train

Tom Waits

“Will I see you tonight
on a downtown train
every night is just the same
you leave me lonely now”

Tom Waits has always been one of my favourite singers, and this song, taken off his classic 1985 Rain Dogs album, conveys all the loneliness and longing of the big city. Rolling Stone magazine called it Waits’ “finest portrait of the tragic kingdom of the streets”. Rod Stewart recorded a great cover version four years later, with great guitar work from Jeff Beck.

Rain Dogs - Tom Waits

Rain Dogs - Tom Waits

Uptownship

Hugh Masekela

I love the play on the words “uptown” and “township”. This is an instrumental by one of South Africa’s greatest musicians, Hugh Masekela, celebrating life in the townships.

First released on his album Uptownship in 1988, at the height of the struggle against the apartheid regime and during the state of emergency which saw the detention of 20 000 activists, a live version was released on the appropriately-titled Hope album in 1993.

Uptownship - Hugh Masekela

Uptownship - Hugh Masekela

Living for the City

Stevie Wonder

“I hope you hear inside my voice of sorrow
And that it motivates you to make a better tomorrow
This place is cruel nowhere could be much colder
If we don’t change the world will soon be over
Living just enough, just enough for the city!”

Living for the City was a 1973 hit for Stevie Wonder from his Innervisions album. An angry song, it describes what happens to a young black man who arrives in the big city and encounters poverty and racism.

Living for the City - Stevie Wonder

Living for the City - Stevie Wonder

City Life

Roy Orbison

“Coffer cafe’s dizzy with city lights, concrete sidewalks busy with friendly fights
But that’s alright baby, it’s alright come go with me and you will see city life, city life”

Not a very well known song, City Life appeared on the 1966 album The Classic Roy Orbison. I love its whimsical lyrics, especially the line “Come on, come on now, we can have a good time/ This town ain’t much unless you’re here with me”.

City Life - Roy Orbison

The Classic Roy Orbison - Roy Orbison

City of Immigrants

Steve Earle

“Livin’ in a city of immigrants
I don’t need to go travelin’
Open my door and the world walks in
Livin’ in a city of immigrants”

Steve Earle, playing here with the Brazilian group Forro in the Dark, reminds us that many cities are built, physically and culturally, by immigrants. Taken from his 2007 Grammy award-winning Washington Square Serenade album, it is particularly apposite in an era of growing xenophobia in many cities. As Steve says:

“City of black, city of white, city of light, I’m livin’ city of immigrants
[All of us are immigrants, every daughter, every son]
City of sweat, city of tears, city of prayers, livin’ in a city of immigrants
[Everyone is everyone, all of us are immigrants]
City of stone, city of steel, city of wheels, livin’ in a city of immigrants
[All of us are immigrants, every daughter, every son]
City of bone, city of skin, city of pain, city of immigrants”

Washington Square Serenade - Steve Earle

Washington Square Serenade - Steve Earle

Waterloo Sunset

Ray Davies/ The Kinks

“Dirty old river, must you keep rolling
Flowing into the night
People so busy, makes me feel dizzy
Taxi light shines so bright
But I don’t need no friends
As long as I gaze on Waterloo sunset
I am in paradise”

No list of songs about city life would be complete without Ray Davies’ classic Waterloo Sunset, released in 1967 (Yes, you counted correctly, this is number eleven in a list of ten, but I simply couldn’t leave it out!). It conveys the views of a solitary man imagining the romantic encounters of a couple crossing Waterloo Bridge in London, a great example of narrative song writing.

Something Else - The Kinks

Something Else - The Kinks

Bubbling under…

Some of the songs that nearly made my list include:

  • Strange Town by Paul Weller and The Jam (“You can’t be weird in a strange town/ You’ll be betrayed by your accent and manners”)
  •  Inner City Blues (Make Me Wanna Holler) by Marvin Gaye (“Rockets, moon shots/ Spend it on the have nots/ Money, we make it/ Fore we see it you take it”)
  •  Bright Lights, Big City by Jimmy Reed (“Bright lights, big city/ Gone to my baby’s head”)
  • Let’s Clean Up The Ghetto by The Philadelphia International All-Stars (“You know/ I was in New York City a few months ago/ And the garbage and the trashmen were on strike”)
  • Sin City by The Flying Burrito Brothers (“This old town is filled with sin/ It’ll swallow you in”)
  • Building Downtown (Antichrist Television Blues) by The Arcade Fire (“Don’t wanna work in a building downtown/ No, I don’t wanna see it when the planes hit the ground”)
  • Sounds of Silence by Simon and Garfunkel (“And the signs said the words of the prophets are written on the subway walls/ And tenement halls”)
  • Crosstown Traffic by Jimi Hendrix (“Crosstown traffic/ All you do is slow me down/ And I’m tryin’ to get on the other side of town”)
  • Take the A Train by Duke Ellington
  • Blasting through the City by Thievery Corporation (“War keep blasting the city tonight/ Love assassinated in broad daylight”)
  • City of Blinding Lights by U2 (“Oh you look so beautiful tonight/ In the city of blinding lights”)
  • City Life by the Casualties (New York punk group formed 1990 – “City life is boring/ City life’s a waste of time”)
  • Big City Life by Mattafix (a hit single for the UK duo in 2005, also used on the soundtrack of the video game FIFA World Cup Germany 2006 – “Big city life, me try fi get by/ Preasure nah ease up”)
  • City Life by Stroke 9 (alternative rock band formed in San Francisco in 1989 – “This city life is dragging us down/ Don’t push me”).
Strawberry Fields, Central Park, NYC, September 2007

Strawberry Fields, Central Park, NYC, September 2007


Nov 29 2009

Cape Town festive season begins

Large crowds of Capetonians gather for the traditional switching on of the festive season lights around the Heerengracht Fountains

Large crowds of Capetonians gather for the traditional switching on of the festive season lights around the Heerengracht Fountains

The Cape Doctor (a howling south-easter wind) failed to deter the enthusiatic crowd

The Cape Doctor (a howling south-easter wind) failed to deter the enthusiatic crowd

Welcome to Cape Town: Mayor Dan Plato switches on the lights at 8pm

Welcome to Cape Town: Mayor Dan Plato switches on the lights at 8pm

The procession begins

The procession begins


Nov 15 2009

Inside the new Cape Town Stadium

Nike and I attended the roofwetting ceremony at the new Cape Town Stadium last night. It was my first opportunity to see the stadium with the new pitch and seating in place. It is one of the most beautiful stadiums I have ever seen, and I have no doubt it will be the stadium of the 2010 FIFA World Cup. We also heard a great performance by the Cape Philharmonic Orchestra conducted by Richard Cock.

Cape Town Stadium roofwetting Nov 09

CT Stadium roofwetting 2

Cape Town Stadium roofwetting 3

Cape Town Stadium roofwetting 4

Cape Town Stadium roofwetting 5

Cape Town Stadium roofwetting 6

Cape Town Stadium roofwetting 6

 

Cape Town Stadium roofwetting 10

Cape Town Stadium roofwetting 11

Cape Town Stadium roofwetting 12

Cape Town Stadium roofwetting 13

Cape Town Stadium roofwetting 14

Cape Town Stadium roofwetting 15

Cape Town Stadium roofwetting 16

Bring on the games!

Bring on the games!


Nov 10 2009

But I still haven’t found what I’m looking for…

I visited Dublin in February 2009 as a guest of Frank Gormley, chairman of Eurocape, to help raise money for the St Patrick’s Trust, a charity that supports entrepreneurs in Cape Town. I had the honour of speaking at a well-attended business lunch with Archbishop Emeritus Desmond Tutu, fellow Capetonian and South African.

In the Mayor's parlour before the luncheon

In the Mayor's parlour before the luncheon

The following day, I attended a formal reception hosted by the Lord Mayor of Dublin in honour of the ‘Arch’ as Desmond Tutu is more popularly known. It was a dignified occasion, and afterwards, many Dubliners queued up to meet Archbishop Tutu, a well-loved figure in Ireland. I couldn’t believe it when I recognised The Edge, lead guitarist from U2, standing unassumingly at the back of the queue with his daughter. We were introduced and joked about The Edge meeting The Arch. Having my picture taken with the two of them crowned my visit to Dublin. Or so I thought…

Frank and I meeting the Edge with Archbishop Tutu and the Lord Mayor of Dublin

Frank and I meeting the Edge with Archbishop Tutu and the Lord Mayor of Dublin

That evening, we attended another function in honour of the Arch, this time hosted by South African Ambassador to Ireland and old friend Priscilla Jana at her official residence. She began by extending a warm welcome to the guests, who included many other African ambassadors. Archbishop Tutu responded by reflecting on the challenges of post-Apartheid South Africa. “It is one thing to fight for freedom”, he said. “It’s quite another thing to use that freedom responsibly”.

While the Archbishop was talking, out of the corner of my eye I noticed a few latecomers sidling into the room. “How rude” I thought to myself, and then nearly fell off my chair when I realised it was none other than Bono, his wife Ali Hewson, and one of their children. They  sat down quietly at the table and listened to the Arch, who hadn’t noticed the newcomers, and who continued with his message about the elusiveness of freedom.

When he finished, he glanced up and did a double-take when he recognised Bono. “You’re late” he admonished Bono, with a broad smile. “Yes, Archbishop” Bono replied in his broad Irish accent, “I’m terribly sorry, but we were just in the studio down the road finishing off our new album”.

“That’s no excuse,” said the Arch in a stern voice. “Do you realise that the price of being late is a penance?” “What shall I do?” said Bono, seemingly chastened. “Well”, replied the Archbishop with a twinkle in his eye, “you have to sing for your supper”.

Bono then rose from the table, and, referencing the Arch’s message about freedom, sang the first verse of U2’s popular hit: “I Still Haven’t Found What I’m Looking For”. When we all joined in the chorus, I, and many others, had tears in our eyes. It was a night, and a visit to a beautiful country, that I’ll never forget.

Bono and Tutu - rock stars both!

Bono and Tutu - rock stars both!

 

Disccussing world peace with Bono. Well, not really, he was telling me about a scarf that he wore to President's Obama's inaugeration

Discussing World Peace with Bono. Well, not really, he was telling me about a scarf that he wore to President's Obama's inaugeration


Nov 8 2009

Were you there? Mandela 46664 Concert, old Green Point Stadium, November 2003

The Mandela 46664 concert in the old Green Point Stadium, Cape Town, November 2003

The Mandela 46664 concert in the old Green Point Stadium, Cape Town, November 2003

Devil's Peak, Signal Hill and Table Mountain from the old Green Point Stadium. The views from the new Cape Town Stadium will be similar

Devil's Peak, Signal Hill and Table Mountain from the old Green Point Stadium. The views from the new Cape Town Stadium will be similar

Mandela concert Green Point

Salief Keta sings for Mandela as the sun goes down behind Signal Hill